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Free Sheet Music

Robert Kahn recording session 2019 © Norbert Meyn
In this section of the online resource we feature works by émigré composers that have been part of our research. Engaging with their compositions in performance offers a unique perspective on their musicianship, experience and contribution to cultural life in Britain and beyond.

We have produced critical editions of many of these works for ·¬ÇÑÖ±²¥app EDITIONS. These are available here for free download in PDF format. We are also proud to present recordings of works made by members of the ·¬ÇÑÖ±²¥app community and ·¬ÇÑÖ±²¥app Studios. Many of them are first recordings of works. 

Robert Kahn, Tagebuch in Tönen

Selected pieces for piano by Robert Kahn (1865-1951) edited by Brian Hughes and Norbert Meyn, with introductory texts by Werner Grünzweig and Norbert Meyn.

Having lost his position in public life after the Nazis came to power in 1933, Robert Kahn began to write piano music. At the point of his emigration to Britain in early 1939 he had written 211 pieces. He continued to write an average of almost 2 pieces per week for the next 10 years, reaching the staggering total of 1160 pieces.

For this taster-edition we have chosen a small selection that includes some of the stand-out pieces alongside those that represent important structural points, including the first five pieces, the pieces written immediately before and after Kahn’s emigration to Britain, number 500 (variations on no. 1), the piece marking the end of the war, and the final three pieces written in 1949.

Eric Sanders: Songs

Selected Songs by Eric Sanders (1919-2021) for voice and piano, arranged by Dominic Doutney, with an introduction by Norbert Meyn.

These songs were written in the 1940s and 50s in Britain and published for the first time in 2021.

Little Coffee Bar 1

Crash! Bang! 7

Come back to Soho 14

I shall never forget Vienna 18

A Hope and a Dream 24

Fallen in Love am I 29

Dark and beautiful Stranger 33

Home with the Family 38

Lederhosen Bubi 41

Memories last forever 46

Adolf, we come! 50

My Baby 56

Vienna Song 60

Shalom, Shalom 63

Wiener Schnitzel 69

The Rhythm of London 75

Bring meine Grüße nach Wien 80

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Hans Gál: What a Life!

Music from the Internment Camp Revue:

  • Douglas, Isle of Man, 1940
  • Instrumentation: 2 Violins, Viola, Cello, Clarinet, Flute, Piano,
  • 2 Singers: medium high and low voice

Includes songs and instrumental numbers from the bilingual revue, the melodrama Ballade vom Armen Jakob by Norbert Elias and the Suite from What a Life! for piano.

Hans Gál 'What A Life!'

Hans Gal "What a Life!" - Einzugsmarsch

Peter Gellhorn: Mooragh for male chorus and strings

Written at Mooragh internment camp in Ramsey, Isle of Man in 1940

Instrumentation: Violin 1/2, Viola, Cello, Double Bass,

4-part male choir or ensemble: Tenor 1/2, Bass 1/2

Duration: 6 min

Read more about Peter Gellhorn’s legacy.

Peter Gellhorn 'Mooragh'

Mooragh by Peter Gellhorn

Peter Gellhorn: String Quartet Nr. 1, Andante and The Cats

Peter Gellhorn’s String Quartet No. 1 was written in Berlin in 1933, the year Hitler came to power. The work is full of emotional and textural contrast and reflects the upheavals of this difficult time for the composer.

The String Quartet No. 2 stems from the time immediately before and shortly after Gellhorn’s emigration to Britain in 1935. This bold and arresting work with a more positive feel is a significant contribution to the repertoire.

Read more about Peter Gellhorn’s legacy here. 

Peter Gellhorn 'String Quartet No.1'

Peter Gellhorn: Capriccio and Intermezzo for violin and piano

These two works for violin and piano were written for two fellow émigré performers Max Rostal and Maria Lidka during Gellhorn’s first years in Britain, while he was director of music at Toynbee Hall in East London.

Duration: Capriccio - 2.40 min, Intermezzo - 5 min

Read more about Peter Gellhorn's legacy here.

Peter Gellhorn 'Capriccio'

Peter Gellhorn 'Intermezzo'

Capriccio (1936) by Peter Gellhorn, written for Max Rostal.

Eunsley Park, violin, Maksim Stsura, piano. Recorded at the ·¬ÇÑÖ±²¥app Studios in 2016

Intermezzo (1937) by Peter Gellhorn. Written for Maria Lidka.

Eunsley Park, violin, Maksim Stsura, piano. Recorded at the ·¬ÇÑÖ±²¥app Studios in 2016.

Peter Gellhorn: Kleine Suite for oboe and piano

Dated April 1932, this attractive compositions was written when Gellhorn was 20, in the year he received the Gold Medal of the Prussian Academy of the Arts in Berlin for his achievements.

Duration: 14 mins

Peter Gellhorn 'Kleine Suite'

Kleine Suite for Oboe and Piano (1932) by Peter Gellhorn

Rebecca Watt, oboe, Lucy Colquhoun, piano. Recorded at ·¬ÇÑÖ±²¥app Studios in 2016.

Peter Gellhorn: Sonata for two pianos

This sonata was written for John Tobin and Tilly Connely, a well known piano duo in London in the 1930s. John Tobin was also Director of Music at Toynbee Hall, where Peter Gellhorn worked as a ‘resident volunteer’ from 1935 to 1939.

Duration: 15 min

Peter Gellhorn 'Sonata for two pianos'

Sonata for Two Pianos by Peter Gellhorn

Eleanor Hodgkinson, piano and Jakob Fichert, piano. Recorded at the Royal College of Music London in 2016.

Peter Gellhorn: Songs

Autumn (text by Walter de la Mare) is a moving song about loss, closely connected to Gellhorn’s experience of leaving loved ones behind when he emigrated to Britain.
Duration: 2.40 min, for medium voice

Aedh Wishes for the Cloths of Heaven (text by Yeats) was written for the composer’s daughter Barbara in 1995.
Duration: 1.30 min, for high voice

Ah, Par Quel, a setting of a short text by Racine (1639-1699), is the only vocal duet written by Peter Gellhorn. It was written in Woodbury (near Exeter in Devon) in November 1939 and is dedicated to Nigel Abercrombie, a distinguished academic and writer, whose wife Elizabeth was a singer at Glyndebourne before the Second World War.
Duration: 3 min, for soprano, mezzo-soprano and piano

Peter Gellhorn 'Autumn'

Peter Gellhorn 'Aedh Wishes for the Cloths of Heaven'

Peter Gellhorn 'Ah! Par Quel...'

Autumn, by Peter Gellhorn, words by Walter de la Mare

Katie Coventry, mezzo soprano, Lucy Colquhoun, piano. Recorded at ·¬ÇÑÖ±²¥app Studios in 2016

Egon Wellesz: Stadler-Lieder Op. 24

Written in 1917, these songs are settings of poems by the expressionist poet Ernst Stadler (1883-1914) who studied in Oxford in the early years of the 20th century and died in the First World War.

This edition was prepared in 2020 in collaboration with Dr. Hannes Heher of the Egon Wellesz Fonds in Vienna and makes the songs available for the first time.

Duration: 7 min

Egon Wellesz 'Drei Lieder'

Featured musicians

Find out about musicians who emigrated from Germany & Austria to Britain in the 1930s

Stories

View in-depth articles about the history of migrant musicians from Nazi Europe in Britain

Disclaimer: All images used on this site in connection with the 'Singing a Song in a Foreign Land' project are used in good faith. We have made every effort to ascertain copyright permissions for historical images and this information has been included where known. Please contact Norbert Meyn: norbert.meyn@rcm.ac.uk if you believe an image has been used incorrectly.